Exhale

Today, everything was something other than I anticipated.

When I got to the grocery store, expecting a crowd, instead I found a parking spot immediately and hardly anyone in the aisles. Once I was done, however, two drivers played chicken with their big SUVs, inching forward and angling toward the space as I loaded my bags into my car.

My usual source for cooking gadgets and paraphernalia did not have the one thing I needed; I had to go to the paper goods store that I don't particularly like instead.

A phone call I'd planned for never happened.

Then my internet and phone modem failed. Five hours of my day was spent on this.

There was also this, however:

When I pulled in to the parking lot of the cooking gadget store, my mind registered some oddness that made me pause, let go of that one thing I needed for a moment, focus on the world around me.

At curbside, where the road met the parking lot, just by a small island of grass and dirt, was a bird of prey. Feathers streaked with muted gold, fierce beak, sleek head scanning and, clutched in its right talon, a rather large bird of some sort. Feather and down scattered, tumbling over the asphalt. Other birds swooped and clamored. The bird of prey—a hawk? probably a hawk, though those golden feathers...—noticed but didn't seem bothered at all.

Just as I aimed my phone to take a picture, a pickup truck pulled into the lot, stopped a few feet away. The bird took off, flying low, its catch dangling. The guy driving the truck rolled down his window. "I wanted to take a picture but I guess I scared it away!"

"But we saw it," I said. "We both know we saw it. How cool is that?”

Multimedia Blogging

As an experiment I decided to post a selection from the reading I did at my graduation residency. My impulse is to apologize and explain and make self-denigrating comments, but I'm going to resist that impulse and just let the words stand.

I Am Not A Poet

Poetry appeals to me for so many reasons—such a disciplined form, the world stripped down to only the essential words—but it's not my form; I'm too verbose, I think.

In observance of National Poetry Month, however, I figured I'd share a poem I wrote a few years ago for a class.

✤ ✤ ✤

For Marian Fisher, 13

Only sunlight illuminated the room,
the dust from the chalkboard sparkling
as it settled on the wood softened
by a hundred sweepings, the thousand footsteps
of the children rising to their lessons.
Five times
one, two, three, four, five
ghosted in the milky gray sweep of erasure.

On the blue sky day they were called
to reciting, they were called
to their reading, they were called to their sums.
Always ready,
Marian said “Me first.”

The milk had been delivered,
his children hugged tight then
released with words of love. Then he
went to work, backed his truck in
for the delivery
of his unimaginable emptiness.

Out of the blue sky day came
the checklist, the wire
the guns, the strange length of wood
and his unimaginable emptiness.

Only sunlight illuminated the room,
the scent of fear quavering
as it settled on the wood softened
by a hundred sweepings, the thousand footsteps
of the children rising to their lessons,
Two lines,
one assembled for dismissal, one assembled in
a row by the chalkboard
with its milky gray sweep of erasure.

Out in the blue sky day the police were called
to awaiting, they were called
to their duty, they were called to their guns.
Inside, ready,
Marian said, “me first.”

Five times
one, two, three, four, five
ghosted in the crimson red sweep of erasure
and his unimaginable emptiness.

✤ ✤ ✤

Here's a little more about Marian Fisher: http://www.marianfisher.com/

SuperMoon

We went to the beach to watch the moonrise, arriving as the sun was setting in the west. The parking area that faces east was as full as it would be on a summer day; some people sitting in their warm cars, leaning forward and scanning the horizon. Photographers had staked claim to each bench along the sidewalk that runs the length of the beach, their cameras sporting long lenses mounted on tripods. People were sitting on the sand and on the seawall, leaning against trees, standing by the water's edge or on the rocky shoreline.

All of us looked east.

We walked out on the wooden pier. After the sun had fully set the wind dropped for just a moment, then picked up again. We shivered and wondered to one another where the moon might rise. "Is the sky brighter over there, behind that island?"

Then there it was. A sliver of orange shivered at the top of a cloud bank. The sliver became a crescent, became an arc, became the full full moon. It seemed to pause, as if it knew we had been waiting, as if it knew we were watching.

There was a clatter of shutters opening and closing, opening and closing; a few flashes. And: "Oh!" And: "Woooooooooowwwww!" And: "Beautiful."

Mostly, though, we were silent as we remembered, again, that this wonder was part of us and we were part of it.

The Thing I Always Think About on St. Patrick's Day

March 18, 1972

I’m getting married. My father and I are standing in the entry way of the church, me in my white dress, the tucking of the bodice straining over my breasts that are already swelling, an absurd crown of flowers fading on my head.

This isn’t how I wanted to look when I got married, something I hadn’t even realized until that moment less than ago an hour when I stood looking at my reflection in my mother’s bureau mirror. Had I always imagined myself wasp-waisted in satin? How did I not know that about myself? But here I am, holding a bouquet of roses, my arm hooked through my father’s, and I am carefully not looking down the length of the aisle toward Mike because everyone will see, certainly, that I do not really love him.

Instead I look at the faces turned toward us, my dad in one of his everyday suits, me in this dress I cannot stand. Felicia and Lisa, seated on the aisle in the pew closest to us, wave and smile and wave again. Mike’s parents and sisters are down in the front, craning their necks for a better look; his grandmothers’ stare toward the altar, resolutely showing the backs of their heads. My brothers are on the other side of the aisle, and I can tell they are joking with each other. The rest of the pews are full of people I know and care about in varying degrees, people I’ve invited because it’s a party, right? Just a party.

My father’s arm flexes, pulling me off-balance, and suddenly I am closer to him than I’ve been in years, the fit of our bodies so natural and perfect that I remember suddenly the simple truth that I am made from him. I remember that I love him completely, in spite of everything.
“We don’t have to do this,” he says. “We can figure something out.”

Yes, I think. Yes, please, Daddy.

I can’t imagine, though, what else can be done. I have decided. The only way I can save myself is this way—marry this boy, have this baby, escape my mother’s madness. But yes, my heart says. Yes, my body tells me. Yes, yes, yes please let’s leave right now and go somewhere safe to figure out something else. Please save me.

But here is the church, here is the steeple, open the doors and see all the people. And he has offered this too late. I shake my head, pull away from his strange and familiar comfort. “I’m doing this,” I say. And he nods, the music begins and we step into the aisle.

If there were one moment in time I could summon back, it would be this moment when my father remembered—too late—that he had the power to save me.

"Essay"

I am working on an essay based on a section of the memoir. There is certainly so much work to do on the memoir itself, yet I feel compelled to rework this piece, to approach the subject matter in this section from another direction, to see the story through a different lens.

There's an argument to be made that I'm simply avoiding the hard work of revision, but I think there's something more going on. One of my students complained about how hard it is to write an essay—"How am I supposed to develop a thesis when I don't even know what I think about this yet?"

"Who said you had to write the thesis first? Why not think of the writing as the process that will help you figure out what you think?"

She asked if that's how I do it. In the case of this essay, it turns out that's exactly how I do it.

Packing for Travel

I had breakfast with a friend the other day; he's someone who has been a great supporter, a mentor, and something of a nudge (in the very best sense of the word). We were talking about how teaching takes such a commitment of time and energy and, because I'm an adjunct at two different schools, a sort of mental flexibility that can be challenging. Then he asked, "Are you writing?"

Not enough. I'm simply not writing enough. But I am thinking a lot about the work, which seems appropriate at this stage, when I'm revising the memoir. "Big picture stuff," asking myself the tough questions about whether this scene is necessary, have I gone off track here or does this chapter actually move the story along, did I serve the story well? Just as hard as the initial writing, certainly, yet progress is being made. Large chunks of marble have been turned to dust, revealing the shape hidden inside.

And there this: in one small sliver of my writer's mind, I've started to think about what to write next. So I was happy when, later in the day, I came across this:

There's a story here. I can't wait to find out what it is.